Dante's descent into Hell, and the beginnings of his quest to find his soul mate, Beatrice. While we will indeed look at all the "episodes" through the circles and bolgie, we will also examine the underlining plot and character development of Dante. We will also look at issues of translation, and work back and forth between the Longfellow and Pinski. If you don't want to buy the book to keep up, you can go here-- http://www.gutenberg.org/browse/authors/d#a507 --and download it for nothing. I can't help you with the Pinsky. It is my favorite translation, though.
I'm sure you all think you know a whole bunch about Alice. Well, unless you took the books from me in the first place or have otherwise really dug into it, you're probably missing a few things. These are together--and yes, I mean it--one of the most beautiful stories ever told. If this ends up a selection, we'll look thoroughly first at the author before getting into the stories, because, though he never shows up in any of the movies, Lewis Carroll himself is the second and unsung protagonist. Get the text for these two, as well as for some of the other Carroll works we'll look at, here: http://www.gutenberg.org/browse/authors/c#a7
East of Eden, by John Steinbeck
If I had to choose on single book to put at the very top of my list of favorites, this is the one. This book, much like the grandfather says to the kid in The Princess Bride, has it all: "fencing, fighting, torture, revenge, true love, giants, monsters, chases, escapes, true love, miracles...." Okay, so there's no fencing and only a figurative monster, unless you count deformity. Based generally on the Cain and Abel story from Genesis, this book takes you through three generations and lets you watch, practically forcing you to pray (as if it would make a difference) that these people won't choose what you know they're going to choose anyway. We will also examine this in light of a new discovery my sister made: the journal and letters Steinbeck wrote while writing his own favorite of his works.
the Imagist Poets
Okay, this is a pet project for me. I'm interested in going back and really looking again at the likes of Hulme, Pound, Williams, and so on.
I love this book, because Seymour Glass is one of my very favorite characters. I'm debating about changing this to another from Salinger's list. Thoughts, anyone?
I only got to teach this once. I know I'm missing something. Everything (that I've found) of Saramago's is allegoric. I know I'm missing at least something. I didn't see the movie that came out a couple years ago, and I'm not going to bother. It's a movie about Blindness--a freaking epidemic of blindness--isn't a movie, in all its visual "glory" kind of the wrong direction for this particular story? Anyway, this book is gorgeous, shocking, and satisfying. Even if we don't read it here, don't miss it!
Okay. Umberto Eco. While I've known about him for some time, he is quickly becoming one of my very favorites. While the majority of his work is in literary theory and a little thing called "semiotics," he also dabbles in novel writing. Name of the Rose, Foucault's Pendulum, Baudolino, to name a few, but I'm partial to Loanna. It's more readable than some of his other stuff, and it also offers the opportunity to examine the semiotic issues at work in all of his stuff. If you like literary deconstruction, this should be a lot of fun.
The Life of Pi man's newest iteration, and, though flawed, absolutely brilliant. It's a book that's about the author, but not about the author; about the Holocaust, but not about the Holocaust; about a taxidermist, and very much about the taxidermist.
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